Mood:

Now Playing: Ace of Base`s AWFUL (but very popular) "Tokyo Girl"
SUNDAY - A Little Walk...
Fed up with yesterday's rain and with waiting around for the occasional 15min slot to check my email, I dediced to take a stroll around my neighbourhood this afternoon. It's really lovely - and, as Jenny suggested, rather like a Donnybrook-style suburb. As James (the New Yorker with the Irish girlfriend from the 'real' Donnybrook!) pointed out, you can tell it's a rich neighbourhood because there's so much greenery. Many of the houses even have gardens...
On my odyssey to Waseda I went via Sengawa station (on the advice of Soshigaya's welcoming committee - bad idea) so today I went looking for the alternative, Seijogakuen-mae Station. A) it's actually closer, and B) it's WAY easier to find!! Maybe the locals were trying to give me a navigational baptism of fire or something... Seijogakuen-mae station is a ten minute walk straight down the road, rather than a twenty minute journey up hill and down dale... The walk to Seijo is much nicer - it passes a Golf school, an enormously posh appartment complex/gated community complete with moat and waterfalls, and various pretty houses. There was some kind of festival happening today, as en route I passed a big crowd of people carrying several carts bedecked with lanterns. There were drummers everywhere, and it was all very exciting. Everyone was in traditional dress too (traditional "day-wear" if you will - not entirely spectacular, but not the otherwise standard 80s style clothes prevalent in this suburb...!) so it was very interesting.
All of this was happening, I found out on my way back, in the car-park of a rather large music and video shop which is about 3 mins from my doorstep. I had a potter around, but didn't have the guts to actually buy anything - from my ultra-limited knowledge of kanji, it seemed that some of the items were for rent rather than for sale, and I really didn't want to be left looking stupid (again) at the counter. The electronic security in the shop was spectacular though - it's omni-present but almost invisible. Indeed, I only noticed when a small child walked through the wrong barrier with a copy of "Araddin", and was then forced by his mother to apologise amid copious bows and "Sumimasen"s to the various employees he had disturbed. The poor kid was only about five... Customer service here is wonderful - even apparently bratty teenagers working in shops are extremely polite.
The area around Seijogakuen-mae station is very posh- lots of expensive-looking coffeeshops and boutiques (my favourite has to be "Hot Man - Le Ballet", which in fact sells women's bathwear, towels and robes). Just when I thought it couldn't get any better, I turned a corner and was dismayed at the noise coming from McDonalds. (They're everywhere here too.) As is the case in most Japanese outlets, this McDs is more a booth than a restaurant, manned by the sqeakiest, noisiest teenagers imaginable, all smiles and teeth. And no, I didn't even stop...
On the way home I bought some sushi for lunch, and have some chicken and a portion of "eyeballs" for dinner. These are little sticks which appear to have four eyeballs skewered onto them. I was made try one the other night. When you can't speak Japanese, you've no escape - certainly I couldn't say "I'm terribly sorry, but the prospect of eating an eyeball is making me feel rather unwell and I'd really rather not", so I had to just eat it. Turns out, it's something like pureed rice, coated in soy sauce. And they're very good!!
As it turns out, Maurice lives in the same place I do. I bumped into him this morning and we had a chat. He's full of advice, and it's good to know he's here.
It seems this little walk has turned into a long ramble, so I'll shut up now...
MONDAY
Having made an attempt at ordering my room, I decided to be big and brave and go exploring properly this morning. It's funny - despite having left the big suitcase full of clothes at home and not having had any books yet, there's still all kinds of junk piling up here. A strange paradox (one among millions here...) is that the Japanese are obsessed with dealing with garbage efficiently - the recycling and waste disposal instructions would make your head spin - but they produce insane amounts of it. Everything is wrapped in cellophane and put in a plastic bag, every piece of information is presented in an envelope, cds and dvds come with extra Japanese-language packaging (called an 'obi' - like the kimono sash) and it all piles up... I am beginning to formulate an idea in my head for something about the way the Japanese are obsessed with this wrapping - whether it's of the human body (think about how many layers there are to a kimono) or of material items... Hmmm...
Rapt withal (sorry...) I decided to head for Shibuya. OH MY GOD I have never seen so many people. At least in Calcutta there was a vibrant, almost violent variety, but the mob surrounding Shibuya station was almost completely homogenous, and the thousands of people within it moved as one. I felt like I was standing in a music video or something, watching these people go by, all in relatively perfect harmony. It's easy to understand why Japanese young people make such (desperate) attempts to individualise themselves with hair-dye, tattoos, funky clothes and - increasingly - piercings, but for some reason their efforts seem a little transparent. That said, it certainly makes the insanely packed subway trains more colourful!
Interestingly, and unlike Calcutta, nobody seems interested enough in me to stare at me - unlike India, where they gaped! Everyone seems to get on with their own business....
That is, apart from the crazy woman who sat beside me. As we have established, my Japanese is sub-basic, but for some reason this old fruitcake decided to yammer away at me for a couple of stops. Our conversation went something along the following lines, translated for your convenience (although it's way more bizarre in Japanese) Please also bear in mind that it was extremely difficult to get a word in edgeways, sideways or anyways. This woman was bent double, in a navy dress with huge white polkadots and patent leather mary-jane shoes. She must be about two hundred years old, but had permed hair to her shoulders that was dyed brown but tied back. She looked like a grandmother dressed up as Minnie Mouse. If this wasn't weird enough, she had a bright pink backpack and white foundation makeup (as though applied by a drunken geisha) on her face which looked kinda greyish-blue because her skin was yellow (no racism intended). No, I am NOT making this up...
Her - (In Japanese) Do you speak English? Because I used to speak English. But now I don't speak English any more. I speak a little bit of English. (In English) I speak English a little. (In Japanese) Are you American?
Me - Yes, I speak English. I am Irish.
Her (very excited at this, starts rummaging in her bag...) Ah so! You are Irish! One moment, please.
(finds what she's looking for, a tattered old map and a pen, and then puts a large cross over Ireland, and shows me the home-places of people she's talked to. At this point I have no idea what she's talking about... All her Americans were from the East Coast, except for one from Utah. I wonder what the Mormon made of her.)
Finally made it to Shibuya - which as I mentioned was rather busy - but I managed to find my way to my first destination - BUNKAMURA. This is the performing arts complex of which Ninagawa is an artistic director. Surprise surprise (not...) it's part of an enormous department store, all posh European fashion brands (Gucci, Prada, Manolo, and, bizarrely, Swarofski Crystal) and expensive theatre downstairs. I got the programme up until February, but it seems Ninagawa is working elsewhere for the moment. (If anyone's heard anything, good or bad, about his English-language Hamlet, PLEASE let me know...)
Next door to Bunkamura is a big bookshop, which was quite an experience. Of course this whole place is saturated with unfamiliar symbols, but for the most part the edges are softened by the idiot's-guide-style English transliterations. But this was not the case in the bookshop. Slightly dazed, I headed for the mothership - there's a 7-storey HMV next door...
I was delighted to find that several interesting theatrical DVDs were part of the sale (it seems HMV worldwide is constantly in the middle of their "biggest ever sale") and had to leave many others behind. But the ones I got - Nomura Mansai's Hamlet, and Ninagawa's Sincere Frivolity and Shintokomaru - at least have given me plenty of new things to think (and write) about....
After this I had lunch (miso soup and some rice - I'll be skeletal by Christmas if this continues!) and headed back for Soshigaya because I was tired. I had a snooze and then watched 7 hours of Japanese theatre (hurrah!) and then went to sleep.
TUESDAY
Since yesterday was a National Holiday I was delayed even further in my attempts to get myself sorted. There is a host of things one has to do - in specific order - which I couldn't because I arrived on Thursday and had my orientation on Friday, and with the holiday yesterday was even further delayed and inconvenienced. It was really adding insult to injury when I found out that the holiday in question was National Sports Day...
When you get to Japan you have to go through the process of Alien Registration and receive an identity card confirming your visa status etc. This has to be done at your local municipal office. You can't do anything without this Gaijin card - so I couldn't buy a phone, open a bank account, buy a train pass... until this was done, so this was very much my priority today. Thanks to the Typhoon (which I'm afraid I completely missed in the daze of Saturday) our Japanese placement tests were rescheduled until this morning. The weather here is pretty lousy - I haven't seen sunshine since the drive from the airport, as it's been overcast, humid, rainy and muggy. The upside is that the neon and the lights glow and reflect more in this weather - in the blank sunlight they look a little dingy...
Unsurprisingly I failed my Japanese test. So I'm in Level 1, and I have 13 hours a week for the next 6 months. I'm going back to school!!
After the test Angelica and I went for hot chocolate (which was manky and insanely expensive at about E4). We're fast becoming allies - she's dippy but speaks good Japanese, I'm practical-ish and know where we're supposed to be... Then I went off and met my supervisor, Prof. Okamuro, who is LOVELY. She took me to lunch in the posh Okura Garden restaurant, the academic staff common room, which in best Japanese style looks out over a very pretty garden. We chatted and chatted about theatre (she was the academic advisor for N's Waiting for Godot! RESULT!) and she seems very enthusiastic and helpful.
Then came the fun part - the trip to Setagaya city ward office for the alien registration. I guess I shouldn't have been too shocked at the intricacy of beaurocracy at work in a country where the
words for "god" and "paper" are the same. The Setagaya City Ward Office (a temple to beaurocracy that makes Dublin's Civic Offices look pretty) could drive one to distraction. Even the directions I got to it were insanely complicated. I didn't trust the hand-drawn map, so I got off one stop later and ended up 2 mins away, instead of having a 15 minute goosechase through suburban Tokyo looking for an unmarked building. Mercifully the staff spoke English, and my card will be ready soon. In the meantime I have a certificate, which is as good as the card until I have it. So I'm on my way. Next door (in the Setagaya City Ward Office Building 2....!) I had to register for National Health Insurance. This was less fun, since nobody there spoke English at all. But the man on the desk had clearly processed countless similar applications before mine, and it was ok. Then he got very excited about the fact that I was from Ireland, and (I think) told me that he'd never met an Airurando-jin before. I nearly felt like asking if his mother was a crazy old woman prone to talking to strangers on the Shibuya-bound Yamanote line....
Back from what was a way less painful expedition than I foresaw, I got to Shinjuku. The station is enormous - mercurial even. Every time I come into it I seem to be somewhere else, and it's difficult to navigate. One minute you're in a station under construction, but if you turn a corner you're in a quiet department store selling Hallowe'en pumpkins so expensive they make the suburban melons look cheap. Go out the door to your left and you in Takashiyama Times Square, with a huge GAP and a multi-storey Tower Records. And obviously you won't want to pass that by... And, if you're like me, you'll keenly spot the kabuki-dvd bargain bin and buy a beautiful dvd of onnagata and expert dancer Bando Tamasaburo (aka one of Ninagawa's Medeas) performing kabuki dances, and for just Y700 you certainly won't leave it behind...
Throughout all of this I was really looking for somewhere to sell me a mobile phone (according to all my housemates they cost only a yen) but was completely flummoxed. Exhausted, I just got on a train home. Have discovered the knack of getting a seat on the way home. If you want to get home quickly (ie in 15 mins) you take the express train, but so does half the known world. However, even at 5pm I got a seat without any sardine-syndrome on the local train, which, admittedly, stops at every blessed station on the line. But it's worth it.
Back at the ranch tonight I ended up chatting to Thomas (the Greek), who seems to know everyone already. So through him I met Manu (from France) Xavier (from Argentina) and Jim (a very earnest, VERY typical Briton, who seemed immediately nervous of my feelings towards him. Particularly since he thought I was Scottish. For god's sake, it's not like I'm going to kneecap him... Although I guess I won't say that to him...) Thomas also introduced me to his friend Maria, another Greek, an actress who studies Kabuki. Even better, she was most interested in what I wanted to study, and her eyes flashed when I said Ninagawa. She said her friend knew him personally. We discussed his Greek tragedies (that's the wonderful thing about Greeks - they always love to talk about Ancient Drama, and they all seem to have an intelligent, informed opinion!!!) and she said that his Electra was stunning. And it turns out that the friend who knows Ninagawa is none other than Harue Yamagata, who translated both Electra and Oedipus!! Impressed that I knew her name, Maria decided that I simply had to meet her (fine by me!) and that, once my Japanese was good enough, she'd arrange a meeting with the man himself. I LOVE MY LIFE!!!!
And I'm going to bed to sleep because I'm knackered....
And a few seconds today - bank account is now opened (hurrah), have also paid rent and arranged same from now on, and best of all have bought a mobile phone. The number is 00819017772035. I think. If I:m wrong, I:ll let you know!
How are you?